Bands - Black Abyss: 7 comments

My favorite sub-genre of Heavy Metal music is with out any shadow of a doubt would be Black Metal. The most controversial and the most terrifying form of heavy metal there is. It felt closer due to the gloomy and melancholic atmosphere that I tend to appreciate so much besides certainly being able to relate to its palpable constituent of self empowerment echoing through the prominent utilizations of the corpse paints, bullet belts and spikes. Terrifying but enchantingly autonomous.

One of Malaysia’s most assiduous Black Metal regiment was this band called Black Abyss. Despite the simple and memorizable name that the band opted to use as a moniker, it also gives you an idea about the music they play; straight to your face raw and deep rooting black fucking metal.

I personally am very idyllic to witness the continuing existence and the survival of Black Metal bands in Malaysia. This was despite the burdening pressure and constant prejudicial scorns from both the fearful society and the powers that be upon the music, to the extent of the outright banning of the music a few years ago. At one point, I even thought that I will never be able to see another Malaysian Black Metal band again. I was so wrong. Malaysian Black Metal survived. Thank God for that (Oh, the irony. Haha)

Black Abyss is a black metal assault team hailing from Shah Alam, Selangor, Malaysia, playing black metal in the veins of Burzum and Darkthrone except Black Abyss tends to go faster. The band also put forward one local Black Metal band, Bazzah as one of their favorites. Bazzah’s album Death Is All I See was one of those sought after rare oriental Black Metal gems from Malaysia, popular due to the fact that it was told that a huge amount of the album were seized and burned by the Malaysian authority during the government’s crusade against Black Metal back in those days. Bazzah gained cult status shortly after that.


According to Impaler, the band’s drummer, Black Abyss, formerly known as Goatvomit, was founded in 2003 as a guitarist and drummer duo band. It was only in 2006 that Black Abyss finally managed to secure a stable and steady line up to record their eponymous debut, When Sky Comes Black demo.

For a Malaysian band playing evil music in a country where all things black were despised and cursed to die, being able to sell and clear out 500 copies of compact discs containing 3 goat worshipping hell plundering black metal tracks, in my opinion deserves a bragging right and Black Abyss did just that.

The “When Sky Comes Black” demo received mainly positive reviews from all over the world especially from those lurking fanatic black metal fans from China, Sweden, Colombia, Singapore and United States. One review mentioned that the sound quality of “When Sky Comes Black” demo was so well polished for a black metal band that it would be a minor obstacle for the more primitive black metal fans to enjoy, an indication that sound quality was an important and fundamental substance to each and every one of the talented gentlemen behind Black Abyss.

Black Abyss have been playing gigs and shows to support the demo and one of the highlight was when they were given the opportunity to open for As Sahar, one of the most renowned and celebrated black metal band in Malaysia during the latter’s showcase a few months ago to support the release of their latest album. As a new and upcoming assault regiment war fronting the Malaysian black metal battle horde (I love using all these cool black metal phrases), the fans have been more than eager to support this talented band.

All their sweat, blood and hard work in putting out and promoting “When Sky Comes Black” finally pays off when Black Abyss was offered a record deal by two prominent black metal labels expressing their interest to release future materials by Black Abyss, one from Sweden and the other being Funeral Moonlight Productions, a dedicated pure underground black metal label hailing from Shanghai, China, with China’s own highly acclaimed depressive black metal band Original Sin in the label’s band roster. Funeral Moonlight Production will be distributing the debut full length of Black Abyss. The album entitled Funeralchrist, which will be released somewhere in December this year, will, hopefully, provide international exposure and worldwide recognition for Black Abyss thus once again putting Malaysian Black Metal on the map.

Besides the full length under Funeral Moonlight Production, Black Abyss will be involved and participating in numerous split projects and one of the projects being a split cassette release with Thailand speed raw black metal, Plaguebringer under Hellhouse productions. Another split cassette release with a Columbian raw black metal band, Tzelmoth, will also be released somewhere in September this year under Florida’s Lux Ferre Records. A four way split release under local’s Kvlt666 Production are also on its way subject for release by the end of this year. I guess it will be a very busy year for Black Abyss.

I do believe that this hard working band have what it takes to succeed. Feel free to visit Black Abyss and taste the conquering assault and triumphant sound of Malaysian Black Metal under the deathly siege of conservatism and narrow mindedness of Malaysia. Black Abyss current line up consist of Abyssic War on vocals and Guitars, Impaler on drums, Mordhthurnum on bass and Nershymn on guitars.

Black Abyss Myspace page:
www.myspace.com/stigamatacrush