Bands - Irotori: 4 comments

I have been browsing the net again keeping my eyes and ears open for any talented Malaysian metal bands in the rough. Lo, seek and I shall find and look what have I found. I kept my ears opened every now and then for the bands with promising skills on their respective instruments. It is not just about promoting Malaysian bands; it is also about promoting the quality of Malaysian instrumentalists. Behold.

IROTORI

Wow! Irotori is one promising melodic death metal band ever to come out from the muddy banks of Kuala Lumpur, the capital city of Malaysia. First of all I have to admit that I was totally captivated by the vocals when I first listened to their song “Winds of Pain” on youtube. The singer’s high pitch black metal-isque growl has that robust grimness quality and it was executed perfectly by the vocalist.

In that one song alone featured an impressive three sets of vocal styles; the high pitch growls for the main verses, harmonized clear vocals for the choruses and some angry hardcore screams at the end. The brilliantly constructed flow of emotion was all over the place. Well done. Yeah, everybody can do multiple styles of vocals but how many have you heard doing it nowadays?

As a drummer myself, the first thing that I would try and appreciate when I listen to a particular song was the drums. I can seriously say that I felt that the drummer had fun recording his part, flawless tempo changes showing the faultless musicianship of the drummer, executed beautifully through the song.

3 second after the drum intro, waves of keyboard riffs, which was a bit high in the mix, were thrown into the song giving the listeners some ideas on what will they be getting next. Needless to say that guitar parts, although unfortunately were a bit low in the mix, were also beautifully done. The band even gave a few slots here and there for the low end guy to show off some of his skills behind the four strings. A perfect song indeed.

I felt the sincerity in the song and I have nothing but positive words for this band. I highly recommend this band. Try and give them a listen, they will blow you away with their powerful brand of melodic death metal. Untowardly, my review was only based on one song, the only song they had on youtube as well as on their myspace. Hopefully we can here more songs from them soon.

IROTORI MySpace

Book Review - To Live Is To Die: The Life and Death of Metallica’s Cliff Burton: 2 comments

To Live Is To Die: The Life and Death of Metallica’s Cliff Burton, Joel McIver, Jawbone Press, 2009.

With out any shadow of a doubt, Cliff Burton can be considered the most influential heavy metal figure out of the 80s Thrash Metal scene. Yes, Geezer Butler (Black Sabbath), Phil Lynott (Thin Lizzy), Steve Harris (Iron Maiden) (with the former two, each being a major influence to the playing of the mighty Burton himself), just to name a few, were all great bass players but the legend, momentum and impact that each and everyone of these legendary bassists have had on the underground metal scene, in my honest personal opinion, is incomparable to those of Cliff Burton’s.

With Metallica being the most successful heavy metal band of all time, the legend of Cliff Burton is not just some second page yesterday news.

This book was written by the mighty Joel McIver (the author who brought you the 2004 “And Justice for All: The Truth about Metallica” and 2008 “The Bloody Reign of Slayer”) with Metallica’s Kirk Hammet penning the foreward. Now that I am quite familiar with McIver’s methods in constructing the contents of his books, I have managed to finish this 272 page book at one go. One heavy metal biscuit for me, cheers.

This book can be considered as the most complete autobiography of Cliff Burton (none had ever been written anyway, except for the chapters written about him in every book written about his band). Covering in detail the journey of Cliff Burton, from his days playing in EZ Street with Jim Martin to his days in Trauma to his days in Metallica detailed down to his last days in September of 1986.

It felt like it was an off shot read to Justice And For All, McIver’s book on Metallica, since in And Justice For All, McIver had already dedicated a spread of 16 pages on the mighty bassist alone. If you have already read And Justice For All, reading through the pages of this book will give you a stint of déjà vu, if you get my drift.

What ever it is, this one is a must for all you Metallicats out there. RIP Cliff Burton.

Videos - Sil Khannaz Rockumentari: 1 comments

The first of its kind, finally a (local made) documentary about a local Malaysian underground death metal band and the mighty Sil Khannaz was without any doubt a well deserving and document worthy band in my book. Sil Khannaz is one of the more popular and well recognized death metal bands in the local heavy metal circuit today and one of the few bands (the only?) who stuck with their guns from day one against the neverending assaults from the government, media and the society since the 90’s.

Having formed way back in the 80s somewhere in the gloomy land called Perlis, a small state located in the northern part of Malaysia, Sil Khannaz had evolved (and is still evolving I guess) from playing thrash covers to straight no bullshit death metal in their early demos and debut album titled Conception of Madness, progressive death metal in their controversial Gerbang Kayangan album and melodic death metal in their latest album Berdiri Antara Panji-Panji.

This 2005 documentary was produced by Nebiula Production, the bands’ own independent record label and it mainly contains music videos, early concerts and interviews with the members of the band, the fans and a number of local veteran heavy metal enthusiasts illustrating the colorful history of the band and its undeniable influence to the local death metal scene and Malaysian metal as a whole.

Unfortunately the narration and the interviews were all conducted in the Malay language since I think it was only targeting the local market and was not really meant for an international release except to a few neighbouring Malay speaking countries in the likes of Indonesia and Singapore.

The only frustration I had was that it did not include any interviews from any former members of the band from the earlier version of the band except for an undersized and brief commentary from their previous guitar who played the guitars in their highly acclaimed debut album. Apart from that slight disappointment, this video was a decent documentary of the band. A must for every Sil Khannaz fans.